This year we will be closed on Friday 23 December for family reasons but will resume our normal Friday to Monday hours for the rest of the holiday season. We are also happy to open the gallery outside these hours by appointment.
Three recent Col Levy acquisitions on display in our downstairs foyer.
We were pleased to acquire this large handbuilt piece by Judy Lorraine this week. It is 32 cm high with a tiny nut-like opening and swelling assymetric shape. The surface has been worked all over with a modelling tool and burnished with oxide. Judy Lorraine has almost no auction record and, until now, we have only been able to find her thrown domestic work on the secondary market, so this piece has been a welcome addition to our collection.
Our eighth season in Bemboka will open on Friday 30 September with a new exhibition called “Fifty Shades of Brown”.
Brown is a warm colour ranging in tone from beige, straw and light tan through copper and bronze to deep, rich siennas and umbers. The exhibition draws on these tones with works that are raw-glazed (some woodfired), or coloured with slips, understains and glazes. Many are from the 1960s and 1970s but we have also bought new pieces for the exhibition, including recent work by Robert Barron, Owen Rye and Julie Shepherd.
Each season we think that the new exhibition is the best so far and this is no exception. We have been living with it for several weeks now and it has been giving us much pleasure. The labels are almost done, the new cards have been printed and our next major task before the new exhibiton opens will be to work on our spring garden so that it will be neat and tidy on 30 September.
Illustrated above: Helen Gulliver, Decanter; Noel Blue, Floor Jug.
Our Season 7 exhibition, held from October 2015 to June 2016, was entitled “Pale and interesting” and continued our exploration of glazes and decorative techniques, with an emphasis on pastels and lighter shades. We really enjoyed putting this exhibition together and living with it during the year. Amongst new works we bought for the exhibition were salt-glazed vases by John Dermer, bowls by Shannon Garson and Marina Pribaz and a handsome installation piece called “Pilgrimage” by Kim Anh Nguyen (illustrated). A number of visitors made their way down our gravel road to see the exhibition and we had a steady flow of sales through our online shop.
We opened the season as one of three gardens hosting a progressive lunch for the Bemboka Garden Club. Blessed with another year of wonderful rain, our garden thrived and David and I grew fit mowing the lawns in tandem with our push mowers. In March we welcolmed our first grandson, Thomas James, into the world. Now on our winter break, I am about to begin the task of packing up the current exhibition. Visitors are till welcome by appointment and we will let you know more about what we are planning for Season 8 in a few week’s time.
I came across the work of Western Australian ceramic artist Jenny Dawson this week while browsing through Ceramics in Western Australia, 1970-1999, a video published by Edith Cowan University in 1999. It turned out that we had a coffee set of hers in our own collection. Here it is, unwrapped and displayed on our gallery counter.
For a second summer we are having bounteous rain and David and I have been spending many hours in the garden – between visitors to the gallery – mowing, edging and weeding. This year I joined the five silver birches along the fenceline in this photograph into two long beds and planted some Ajuga Reptans to form a future dense groundcover. Other beds showing good form this season can be seen in this Flickr album.
Over the years we’ve acquired a number of pottery steamers made by Ian Sprague. They look like lidded pots but have a central chimney. By placing the steamer above a pot of boiling water, you can use it to cook rice, meat, fish or vegetables. This style of steamer is said to have originated in China where it has been in use for many centuries.
The two steamers in the picture above are both recent acquisitions. The steamer on the left has Ian Sprague’s personal and Mungeribar Pottery marks. The one on the right has a mark that we haven’t seen before; however, the style is so close to Ian Sprague’s early work that we are almost certain it was made at Mungeribar.
Sprague’s personal mark is a capital I over a horizontal separator and the Morse code for S—three dots. This mark has a similar form and may be a precursor.
This video shows a contemporary potter making a steamer in the same design.
Pineapple vase by Andrew Cope and ash glazed vase by Geoff Crispin, both 33 cm tall.